InaConradi

Ina Conradi

Associate Professor

Nanyang Technological University Singapore | School of Art, Design, and Media
email Inaconradi@ntu.edu.sg

ORCID iD: https://orcid.org/0000-0001-6794-3888

WEBSITES
https://www.mediaartnexus.com/
https://www.quantumtravelers.org/
https://www.elman.online/
About Us

Main topics of Interest/Research

Digital Painting, Experimental 3D Animation, Public Art, Digital Placemaking, Media Architecture, Co- Immersive Cine- Installations, Sci-Art, Machine Learning, and AI-generated Art

My work uniquely combines digital painting, experimental S3D animation, immersive installation, and media architecture. The scope of what is considered ‘painting’ has been expanded due to my findings over the last 30 years. These ‘paintings’ are often unframed and animated as a cine-installation, 360° media, or cinema projection. My research focus is interpreted across various practice-based mediums, exhibitions, festivals, and scholarly writings.   Recently, I have been exploring machine learning, AI art practice, and theories in creative fields such as media art, music, performance, and literature.
My research and creative works have been included in various exhibitions, peer-reviewed publications, competitions, and events. My creative works have been extensively recognized at a variety of levels (local, national, and international).
I have written 29 proposals for research grants from the Ministry of Education in Singapore and the National Arts Council in Singapore. These grants are highly competitive and are open to researchers all over the country. I was awarded 13 research grants as a Principal Investigator (PI) and 2 as Co-PI, totalling over half a million dollars in monetary value. I currently have 1 research proposal under review. The impact of my research is highlighted by its dissemination through a range of channels at an international level. These include two published books , book chapters, peer-reviewed oral presentations, and published proceedings, and peer-reviewed journal articles. Also, the collaborations with a diverse range of scholars and practitioners from different disciplines internationally evidence the influence of my work on the academic community. Since 2008, I have had 40 exhibitions, 114 screenings and have been awarded 35 awards for experimental film-making.

Academic Qualifications

M.F.A. in Art, University of California at Los Angeles, (UCLA), Los Angeles, USA 1989
B.F.A. Textile Design, University of Arts Belgrade, Faculty of Applied Arts, Belgrade, Serbia 1985

Professional Qualifications/Memberships

  • Union of Slovene Fine Arts Associations, (ZDSLU) 1989-2018
  • The Japan Foundation Fellow 1991-till present
  • ACM Association for Computing Machinery, 2010-2012
  • ACM SIGGRAPH Digital Arts Community, 2009-2011
  • The Design Society Singapore, 2009-2012
  • Singapore-China Association for Advancement of Science and Technology, (SCAAST) 2010-2011

Summary of Working Experience

Academic Appointments

  • Associate Professor Nanyang Technological University Singapore | School of Art, Design and Media 2015-till present
  • Assistant Professor, Nanyang Technological University Singapore | School of Art, Design and Media 2007 -2014
  • Full Time Lecturer, Singapore LASALLE-SIA College of the Arts | Design Programme 2006-2007
  • Part Time Lecturer, Ribet Academy, College Preparatory School Visual Arts Programme 2004-2005
  • Part Time Lecturer, Department of Art, California State University Long Beach 2000-2003

Teaching Award

  • 2015 Nominated for Nanyang Education Award (College)
  • 2015 Koh Boon Hwee Scholars Award for Inspirational Teaching and Mentorship (Ian Kong Yi Jun)
  • 2015 Nanyang Education Award 2014 (School)

Research Performance Indicators

Awards

  • Experimental Animation Winner Quantum Logos (serpent vision) 20th Urban Mediamakers Festival (UMF 2021) 13 September 2021
  • London International Web & Shorts Film Festival (UK), Winner Best Weird & Wonderful, Nocturne 5 June 2021
  • Beyond the Curve International Film Festival (BCIFF), Paris, France, 28-31 May 2021 https://www.bciff.org/
    1. “Chrysalis” Winner for the Best Experimental film (Main Category): BCIFF Award of Excellence
    2. “Chrysalis” Competing Finalist for Best Animated Film (Main Category): BCIFF Award of Excellence
  • Beyond the Curve International Film Festival, (BCIFF), Paris, France, February/march 2021 Quantum Logos (vision serpent), Competing Finalist for Best Experimental Film (Main Category): BCIFF Award of Excellence (Feb/March)
  • Award Winner Best Animation In Los Angeles Motion Picture Festival 31 08 2020, Quantum Logos (vision serpent) Link Laurel Awarding organisation Los Angeles Motion Picture Festival 2020 Third Quarter
  • Best Experimental Film, Synergy Film Festival, New York (USA) 20 August 2020 Awarding organisation Synergy Motion Production
  • Industry Award Winner Best Visual Effects at the 6th Annual Raw Science Film Festival, Los Angeles, April 2020 Screened February 2021, Oscar-qualifying festival, Awarding organisation The National Academy of Sciences and The Science and Entertainment Exchange)
  • Semi-finalist for the Best Original Score in Animation, Quantum Logos (vision serpent). In New York Animation Film Festival (NAAFA) 2020. 3.08.2020, Awarding organisation Cinematography Awards Foundation – CAWARDS.ORG
  • Shortlisted finalist “Present Future” Art & Technology Star Award as “Outstanding Entries” for the
  • 2019 Category Digital Art: Urban Media art, Media Architecture. Project ELMAN University Project
  • 2018, Curatorial Teams. MANA Global New Media Art Platform. Shanghai, China 31.5.2019
    Industry Award, Best Infographic, Raw Science Film Festival 2019, for Digital Medicine, Arts, + STEAM: Before Us Lies EterNERDy Los Angeles, USA 26.1.2019.
  • Best Artists Award, BEYOND Festival, Future Design 7.10.2018. Z.K.M. Karlshruhe
  • Best Experimental Film, California Women’s Film Festival 13. 7 2018.
  • Jury Award for Creative Achievement, 27th Arizona International Film Festival, Tuscon, Arizona, 29.04.2018
  • The 2018 Lumiere Award Best 3D Short Animation, awarded by Advanced Imaging Society (A.I.S.) and the V.R. Society at the 9Th Annual International 3D Society Creative Arts Awards celebration, Steven J. Ross Theater, Warner Bros., 12.2.2018.
  • Audience Festival Award Best Animation FEEDBACK Film Festival Toronto 2017
  • The Awards Competition of Stereopsia 2017  and the 2017 Advanced Imaging Society, Lumiere Award-Europe (EMEA) Best 3D Short Film 2017 CHRYSALIS
  • Best 3D, 8th Annual New Media Festival, CA USA, 8.06. 2017
  • Best of Show in the Animation Category, 3D Theater Session, 28th annual Stereoscopic Displays and Applications (SD&A) Conference, Burlingame, California, 30.01.2017  
  • The 2014 Perron Crystal Awards, The International 3D Stereo MEDIA and the International 3D & Advanced Imaging Society from Hollywood | The International 3D Summit for Science, Technology, Art, and Business | Liege Belgium 9-11.12.2014
  • 2014 Audience Choice Awards: Animation, Beverly Hills Film Festival, USA 27.04.2013
  • Best Short 3D Festival Beyond, The Center for Art and Media, (ZKM), Germany 05.10.2013
  • Best Animated 3D Short Film, 3D Film Festival 2013, 6th Annual USA 23.09. 2013
  • Best Animated Short, Phenom Film Festival, USA 23.09. 2013
  • Best Animated Film, The Oregon Independent Film Festival, USA 15.09.2013
  • Best Experimental & Art Film, The Oregon Independent Film Festival, USA 15.09.2013
  • Best International Short 2013 CGIF Awards, USA 03.09.2013
  • 3D Short Runner Up, The 9th Annual HollyShorts Film Festival, USA 22.08.2013
  • Best Animation, Intendence Film Festival, USA 13.07.2013
  • 3D Innovation Award, The 4th Annual New Media Film Festival, USA 12.06.2013
  • Award of Excellence Animation, Los Angeles Movie Awards, USA 5.05.2013
  • Winner 1st Place Animation 2013, 5th Los Angeles Art-House Film Festival, USA 27.04.2013
  • Award of Merit: Animation Best Shorts Competition, USA 15.04.2013
  • Rising Star Award Winner, Canada International Film Festival, USA 5.04.2013
  • Prize of Effort for the Singapore Regional Award of the”10th DigiCon6″ Computer Graphic Animation Competition, Media Development Authority Singapore and TBS, Tokyo Broadcasting System, INC. Digicon 10 Singapore 24.10.2008

Past Awards (Prior to 2007)

  • Japan Foundation Fellowship Program Grant Awarded, Kyoto, Japan, 1991/1992
  • Research Grant UCLA, Los Angeles, 1989
  • Anderson Graduate and Post-Doctoral Award, UCLA, Los Angeles, 1988
  • Art Council, Jack B. Carter Merit Award, UCLA, Los Angeles, 1988
  • Tuition Fellowship UCLA, Los Angeles, 1988.
  • Eugene Wurcel Scholarship UCLA, Los Angeles, 1987
  • University Research Grant UCLA, Los Angeles, 1987
  • City of Belgrade October Award, Beograd, Serbia, 1985

Research Grants Written | Awarded 2007-present

Awarded over a half of million in research grants since joining NTU 2007 | Written total of 29 research grant proposals for new media arts out of which 16 projects were awarded (14 as PI with 100% involvement and 2 as Co-PI 10% involvement)

  •  2022-2025 AI in Art Studio Creating image-based artworks using machine learning and science data NTU NTU Institute of Science and Technology for Humanity, NISTH co:Labs PI Ina Conradi, Co-PI Annabel CHEN Shen-Hsing Designation: Professor of Psychology, School of Social Sciences Zheng Jianmin Designation: School of Computer Science and Engineering Nanyang Technological University (NTU) | $75000 
  • 2020-2021 SGUnited Programme Funding, PI Ina Conradi | S$16.800.00
  • 2.11. 2020- 1.11. 2023 Quantum Logos: Developing Alternative Artistic Styles to Communicate Science MOE AcRf Tier 1 RG43/20 2020‐T1‐001‐050, PI Ina Conradi, Helmut Dumke (A/P) School of Physical and Mathematical Sciences in the Division of Physics and Applied Physics NTU Singapore/  NUS Arts/Science Residency programme, at the Centre for Quantum Technologies, (CQT) NUS. Nadia Thalmann, Prof, former Director of the Institute for Media Innovation, Victoria Vesna, Ph.D., Artist and Prof at the UCLA Department of Design Media Arts & Director Art|Sci Centre and California NanoSystems Institute (CNSI), June Kim, researcher, and Tomasz Bednarz, Director Expanded Perception& Interaction Centre (EPIC) at the University New South Wales (UNSW) Shenshen Luo, Asst Prof of Art, Beijing Film Academy  | S$87,588.47 
  • 28.08.2017 The 2017 Centre for Liberal Arts and Social Sciences, College of Humanities, Arts and Social Sciences Symposium and Conference Scheme Funding Web 3D Art Gallery: on|off 100101010. Colliding and Surrendering: chaos and freedom where art and technology meet | S$19,000
  • April- Aug 2017 The 2017 Singapore Tourism Board (STB) External Funding Exhibition Title Singapore Inside Out Tokyo (SG:IO Tokyo), PI Ina Conradi, | S$6,000.00 SGD
  • Granted URECA 2017 Conference Support | S$2,252.00 SGD
  • 17.03.2017 29.09.2017 The 2017 ADM Creative Artist Faculty Exhibition Funding Assistance, PI Ina Conradi | S$ 4,500.00
  • 10.02.2015 The 2015 Centre for Liberal Arts and Social Sciences Workshop / Conference Scheme (CLASS) Chair for the event/wrote proposal, Co-Chairs Marijke Van Kets and Lucas Jodogne | Event Title: International Workshop Symposium The Art Of 3D Stereo Media, 22-24 April 2015 |   S$12.000 SGD
  • 01.11.2014-31.10.2017 MOE AcRF Tier 1 RG 79/14 (M4011318.090) Immersive Animated Canvas: Merging New Media Art and Technology for Immersive Cinema and Visualization Experiences, PI Ina Conradi, Co-Pi Ben Alvin Shedd,(Prof. NTU ADM); Local Collaborators: Mark Chavez (Asst. Prof NTU ADM), Ei-Leen Tan (Deputy Director Physical Sciences) Science Centre Singapore; Kiruthika Ramanathan (Senior Manager Outreach and Promotion) Science Centre Singapore; International Collaborators Paul Bourke, (Assoc. Prof.& Director iVEC@UWA) University of Western Australia; Wong Kai Ming (Senior Engineer PCCW) Solutions Hong Kong Space Museum; Ludger Pfanz (Prof)The Center for Art and Media (ZKM) in Karlsruhe; Greg Downing (Co-founder and President) x-Res Studios US |  $89.904.87 SGD
  • 1. 3.2011-28.02.2014 MOE AcRF Tier 1 RG 55/10 (M52090031) “3D Stereo Animated Pictorial Space: Towards New Aesthetics in Contemporary Painting” PI Ina Conradi | $149,992.80 SGD
  • 31.12.2012-31.12.2013 IMI Seed Grant, (M4080760.B40) “Unframed”, Part 2″ PI Ina Conradi |  $38,000.00 SGD
  • 15.8.2011-14.8.2012 IMI Seed Grant, (M4080760.B40) “Unframed”, PI Ina Conradi | $50,000.00 SGD
  • 01.12.2010-31. 05.2012 IMI Seed Grant: “EEG-based Immersion and 3D Interaction: E-learning, Art, and Medical Application”, PI Olga Sourina Co-PI Ina Conradi | $50,000.00 SGD (10% Involvement)
  • 01.10.2010-30.11.2011 IMI Seed Grant, (M4080629.B40) “Stereo Pictorial Spaces”, PI Ina Conradi | $10,000.00 SGD (100% Involvement.)
  • 02/2009-02/2011 MOE (AcRF) Tier 1 “Exploring kineto-audiovisual parameter mapping strategies for virtual instrument performance and interactive installation,” PI Per Magnus Lindborg, Co-PI Ina Conradi Chavez | 50,000.00 (5% Involvement)
  • 01.01.2008-28.2.2010 MOE (AcRF) Tier 1 RG105/10 (M52090000) “Digital Imaging in Singapore”, PI Ina Conradi | $50,596.93 SGD

Research Grants Written | Not Awarded 2007- present

  • 2021 National Arts Council Singapore (N.A.C.) Research Grant – Visual Arts Category. Project Title: Media Art Nexus: expanding the field of contemporary public art in Singapore, PI Ina Conradi
  • 2020 National Arts Council Singapore (N.A.C.) Research Grant – Visual Arts Category. Project Title: Arts and Science: Designing interactive artworks that bring difficult concepts in science to the public, PI Ina Conradi
  • Singapore Art Week 2021 (S.A.W.) Luminescence Mischief Makers – Jaymi McManus (S.G.) Samiksha Nair(IN), Billy Seah (S.G.), Mark Chavez ((US)), Ina Conradi ((US)), June 2020
  • Singapore Art Week 2021 (S.A.W.) Project Title: When I can’t see you, you are a wave. When I see you, you are a … Joanne Pang(S.G.), Sonia Kwek (S.G.), Mark Chavez ((US)), Ina Conradi ((US)), June 2020
  • Accelerating Creativity and Excellence (A.C.E.) Awards open call 2018: Science of Learning in Aesthetic Neuroscience
  • MOE 2017-T1-001-066, Media Art Nexus: Converging art, architecture, media and technology | April 2017 (rejected)
  • MOE 2016-T2-2-026, Media Art Nexus: Intersection between art, science, technology and culture 13.09.2016 (NTU approved MOE rejected)
  • MOE 2012-T2-2-056 ASIA IN TRANSITION: Cinematic Authorship And The Phenomena Of Simulated Presence 05.09.2012 (NTU approved MOE rejected)
  • 2012 Call Academic Research Fund (AcRF) Tier 3 Grant Call, Project Title: Re-imagining Visual Arts Practice proposed by Assoc Prof Oh Soon-Hwa Screen Based Arts Project Titled: “Immersion Art Experience: Planetarium,” PI Ina Conradi Chavez, (Asst Prof) ADM, NTU Collaborator Paul Bourke, Research (Associate Professor) Director, iVEC @ University of Western Australia. 26.10.2011 
  • 2011 Academic Research Fund (AcRF) Tier 0 Grant Call Project Title:” Material Immaterial” PI Ina Conradi Chavez, (Asst Prof) ADM, NTU, 30.09.2011
  • 2011 SMART Innovation Centre Grant Call  Project Title: “Developing and Integrated Performing Instrument for Creating Visual Music”, 14.04.2011
  • 2010 New Silk Road Grant Call  Project Title: “Intertwined Boundaries,” PI Ina Conradi (Asst Prof), Co-PI Peter Chen Chia Mien (Asst Prof) 09.08.2010
  • 2009 IMI Art and Technology Grant Call, Project Title: “Synthesis of the real and virtual Image, Installation Art: Experiments with 3-D stereoscopic technology, Space, Sound and Motion“, PI Ina Conradi (Asst Prof);09.2009

Chair | Co-Chair International Symposium | Exhibition

  • 21-22.11.2017 ON|OFF 100101010 Sydney, “Visualisation Matters 2017 – Art + Science+ Design + Engineering”  Curator Art Exhibition at the VIS MATTERS 2017, at the 360 immersive space at the UNSW (EPICentre) by June Kim (UNSW Art & Design) Ina Conradi, (ADM NTU), organized by Tomasz Bednarz, Expanded Perception and Interaction Centre, UNSW (EPICentre) and Data61, UNSW Art & Design, Paddington (Sydney) Australia.
  • 11-13.10.2017 On |Off 100101010  |An International Symposium and Exhibition | Colliding and Surrendering: chaos and freedom where art and technologies meet,  Curator of the exhibit and Symposium Ina Conradi, Mark Chavez (Singapore) and June Kim & Tomasz Bednarz, (UNSW Sydney) organized by NTU Centre for Liberal Arts and Social Sciences (CLASS), School of Art, Design and Media (ADM), College of Humanities, Arts and Social Science, and NTU Art & Heritage Museum.

Others

  • 05.10.2013 The Art on Campus and Public Art initiatives (NTU Museum and ADM) Permanent Installation, Lee Wee Nam Library ArtWork
  • 8.08.2013 The Art on Campus and Public Art initiatives (NTU Museum and ADM) School of Humanities and Social Sciences Permanent Art Installation

Invited Presentations | Speaking Engagement | Presentations

  • Mark Chave, Ina Conradi, The Los Angeles Chapter 2022-2023 Season AI project with Theoretical quantum physicists’ presentation. 13, December 2022 https://lasiggraph.org/
  • Martina R. Fröschl, Mark Chavez, Ina Conradi. NISTH-GDAP Think Out series: Blending Sience Visualisation Imaging and Art of Exprimental Animatoon, NTU Institute of Science and Technology for Humanity, Singapore 3. August 2022.https://blogs.ntu.edu.sg/nisth/2022/07/21/blending-science-visualization-imaging-and-art-of-experimental-animation/
  • Mark Chavez, Ina Conradi. The Thirst For Illusion, Gerald Bast in Conversation with Ina Conradi and Mark Chavez, Angewandte Interdisciplinary Lab, Vienna, 31 May 2022
    https://www.dieangewandte.at/en/news/detail?artikel_id=1651651997420
  • Conradi, I., & Chavez, M. (2022). AI in Art: Exploration of AI-Generated Art Presentation, University of Applied Arts Viena, Di Angewandte Interdisciplinary Lab. 31May 2022
    Ehemalige Postsparkasse, Vienna, https://angewandteinnovationlab.at
    https://www.dieangewandte.at/en/news/detail?artikel_id=1650349149970
    https://ail.angewandte.at/program/ai-in-art-exploration-of-ai-generated-art
  • Conradi, I. (2022). AI in Art: Exploration of AI-Generated Art Presentation. Presentation, Hochschule Ansbach, Germany. 23 May 2022
  • Ina, C., & Mark, C. (2021). At First Glance- Art compilation 2017-2021. Lecture, School of Engineering and Digital Arts, University of Kent, Canterbury, UK, 22 February 2021.
  • Chavez, M., & Conradi, I. (2021). E.X.O. Cultura – Mark Chavez and Ina Conradi. EXO-Culture event, part of the 2021 Summer School of the Pinacoteca of the University of Concepción. Santiago, Chile. 16-17 January 2021. https://www.facebook.com/watch/live/?v=867417770681203&ref=watch_permalink.http://www.sursouth.org/
    https://www.youtube.com/watch?v=tUQ0lFEDOzA
  • Chavez, M., & Conradi, I. (2020). Quantum Logos (vision serpent) Developing alternative artistic styles to communicate science. In Artist for the Future, Beyond Future Design Special Symposium and Film Festival. Karlsruhe, Germany; The Z.K.M. Center for Art and Media Karlsruhe. 25 July 2020 (23-25 July) Retrieved from https://www.beyond-festival.com/en/symposium/artists-for-future/.
  • Von Jungenfeld, R., & Conradi, I. (2020). Waves: Crosscurrents of Art, Technology and Environments. In Connections: Exploring Heritage, Architecture, Cities, Art, Media (pp. 00-00). University of Kent, Canterbury; AMPS (Architecture, Media, Politics, Society). 29.June.2020 Retrieved from https://architecturemps.com/proceedings/
  • Conradi, I. (2020). Exploring Experimental Artistic Practice. In SOTA Artist Singapore Talk Session. 13 May 2020. Singapore.
  • Conradi, I. (2019). From Individual to the Collective, New Media Art in Public. In The 2019 International Forum on Special Images. Beijing; The Beijing Film Academy & the China Society of Motion Picture and Television Engineers, the Special Venue Image Committee, Department of Film and T.V. Technology and the China Film High Technology Institute. 22-24 November 2019. Retrieved from https://news.cgtn.com/news/2019-11-27/Planetariums-and-projections-Beijing-hosts-forum-on-high-tech-imaging-LXRSE9wsFi/index.html.
  • Conradi, I. (2019). Connecting Art and Science. In Symposium Art-based Research in times of social and climate change. Los Angeles. UCLA Art|Sci, UCLA Design Media Arts, and Die Angewandte (University of Applied Arts Vienna). 4-6 April 2019. Retrieved from http://artsci.ucla.edu/node/1424.
    Conradi, I. (2018). Creative Technology Perspectives on the City of Quantified Visions. In Urban Media Art Academy 2019 Singapore. Singapore; Urban Media Art Academy 2019 Singapore. 28 February–03 March 2019. Retrieved from http://urbanmediaart.academy/program/singapore-feb-mar-2019/.
  • Conradi, I. (2019). Bringing Art to Every day. In Art x Tech For Good, Singapore Art Week 2019. Singapore; The MeshMinds Foundation, LASALLE College of the Arts, & the National Arts Council. 26 January 2019 Retrieved from https://www.meshminds.com/blog/2019/1/13/the-meshminds-foundation-and-lasalle-college-of-the-arts-presents-art-x-tech-for-good.
    Conradi, I. (2018). Media Art Nexus. In Media Architecture Biennial 2018 Beijing (M.A.B.), Digital Publics Symposium Panel 1 session The Urban Screen – Community building in our public spaces. Beijing; Central Academy of Fine Arts, Beijing. 13-16 November 2019 Retrieved from https://mab18.org/symposia/digital-publics-symposium/
  • Conradi, I., & Chavez, M. (2018). Digital Placemaking. In 7th Professional Lighting Design Convention. Singapore; PLDC. 27 October 2018. Retrieved from https://2018.pld-c.com/.
  • Conradi, I., Chavez, M., & Bauer, T. (2018). Media Content for Architecture – Workshop. In 7th Professional Lighting Design Convention. Singapore; 26 October 2018.
  • Hofmann, B., Köhn, A., Chavez, M., & Conradi, I. (2018). Digital Medicine, Arts + STEAM: Before Us Lies EterNERDy, Deep Space 8 Fraunhofer MEVIS and Media Art Nexus Live Presentation Deep Space. In Ars Electronica Festival 2018, ERROR The Art Of Imperfection Ars Electronica (p. 61). Linz; Ars Electronica. 8. September 2018. Retrieved from https://ars.electronica.art/error/files/2018/08/Festival2018.pdf.
  • Conradi, I., & Chavez, M. (2018). Entanglement. In Leonardo Art Science Evening Rendezvous (LASER). Los Angeles; UCLA California NanoSystems Institute (CNSI), 19. July 2018 Retrieved from https://www.youtube.com/watch?v=DCVlSNgaTd4. And http://artsci.ucla.edu/node/1398
  • Conradi, I., & Chavez, M. (2018). Ina Conradi + Mark Chavez: Media Art Nexus Singapore. In UCLA ART| SCI & Design and Media Arts Lecture Series. Los Angeles; UCLA ART| SCI, 22 May 2018 Retrieved from https://youtu.be/t_9ZTLYieUQ and http://artsci.ucla.edu/node/1388
  • Chavez, M., & Conradi, I. (2018). Dr Mndset, Media Art Nexus. In LAVA demos @ WeWork, Los Angeles Video Artists. Los Angeles; LAVA. 25 April 2018. Retrieved from https://www.facebook.com/watch/?v=2464893996861413.
  • Conradi, I. (2018). Link International Women’s Day LASER, Ina Conradi, Kathy Huffman, Marisa Caichiolo, Peggy Weill, Jane Mi, Mary Flanagan. In UCLA ART| SCI LASER Series. Los Angeles; UCLA ART| SCI. 08. March 2018. Retrieved from http://artsci.ucla.edu/node/1383
  • Conradi, I. (2017). Urban Gallery: Art of Animation and Large-Scale Urban Media Environments. In The Expansion of Senses, Asia Animation Forum 2017. Bucheon; The Korean Society of Cartoon and Animation Studies, G-storytelling Division, The Catholic University of Korea, Manhwa Contents Agency. 24 October 2017. Retrieved from https://www.youtube.com/watch?v=7frjco845-c.
  • Conradi, I. (2017). Media Art Nexus 2016-2017. In Pecha Kucha Night 7 in Conjunction with the Symposium on|off100101010, NTU Centre for Liberal Arts and Social Sciences. Singapore; NTU Centre for Liberal Arts and Social Sciences. 12 October 2017. Retrieved from https://onoff100101010.com/
  • Conradi, I., & Chavez, M. (2017). Panel Discussion (Fluidity) Artists M.A.N., Ina Conradi & Mark Chavez. In In conjunction with the exhibition Singapore Inside Out: Tokyo 2017 (SGIO Tokyo), Tokyo; Singapore Tourism Board. 25 August 2017 Retrieved from https://www.stb.gov.sg/content/stb/en/media-centre/media-releases/Singapore-Inside-Out-Brings-Singapore-Creative-Talents-to-Tokyo.html.
  • Conradi, I.,(2017) Media Art Nexus: Converging art, architecture, media and technology, In Poster Exhibition College of Humanities, Arts and Social Sciences Faculty Research Sharing Day, NTU. 6 April 2017.
  • Conradi, I. (2016) Media Art Nexus, Festival 2016 BEYOND “Future Design Thinking”, Karlsruhe University of Arts and Design, Center for Art and Media Karlsruhe (Z.K.M.), Germany 28.09 – 02.10 2016.
  • Media Art Nexus 2016, Ina Conradi, Pecha Kucha Night No.5, research presentations by NTU School of Art, Design and Media (A.D.M.) faculty and NTU Centre for Contemporary Art Singapore (NTU CCA Singapore) Artists-in-Residence 31.08.2016.
  • W.O.W.! MERLION Performance Odyssey Dance Theatre Ltd, Exhibition and Talk (P.E.T.), Panel Discussion, Ina Conradi, Chieu Shuey Fook, Hoh Chung Shih, Danny Tan, I.& Mr Mervin Wong, Victoria Theatre, Singapore 18.12.2015.
  • The Journey, Ina Conradi, Expanded Animation Symposium, 2015 Ars Electronica Festival POST CITY–Habitats for the 21st Century, Hagenberg Campus of the University of Applied Sciences Upper Austria, the Ars Electronica Festival & Central Linz 4-5.09.2015. Link
  • Mediated Painting: 3D stereo animated pictorial qualities and painting aesthetics, Ina Conradi, Transmedia Experiences: Animation as Fine Art, F.M.X. 2015: Conference on Animation, Effects, Games, Chair Patricia Rohr 5.05.2015. Link

Other Research activities

Festival Screenings and Competitions

  • The 20th Urban Mediamakers Festival (UMF), Atlanta, GA, US,11-24 October 2021, Film Screened: Quantum Logos (vision serpent), Experimental Animation Award Winner, #20 years old film festival https://www.umff.com/index.html https://umff.com/umff-schedule.html
  • FLICKFAIR film festival, Los Angeles, California September 2021, Film Screened: Chrysalis #monthly film festival https://flickfair.com/
  • Toronto Independent Film Festival of CIFT, Finalist for Best Experimental Short category, July 17, 2021, Film Screened: Quantum Logos (vision serpent) https://cyrusmonthlyfestival.com/?fbclid=IwAR0zSvsYY-bRG4SWLdeuA6lGJmtW3hqTpIdYroM-aQPjPtStqMJy1zzDico
  • Rotterdam Independent Film Festival (Riff), Netherland, 15 June 2021, Film Screened: Quantum Logos (vision serpent), https://riffestival.com/
  • Vonline Film Fest (VOFF), 17 June 2021, Film Screened: Chrysalis, https://vonlinefilmfestival.webnode.it/
  • London International Web & Shorts Film Festival, London’s Arcola Theatre, 5 June Film Screened: Nocturne, Award Winner https://londonwebfest.eventive.org/films/60be06dd14cdaa00451dc96b
    https://www.londonwebfest.co.uk/
  • Beyond the Curve International Film Festival (BCIFF), Paris, France, 28-31 May 2021 https://www.bciff.org/

1. Film Screened: Chrysalis Winner for the Best Experimental film (Main Category): BCIFF Award of Excellence https://www.bciff.org/bciff-festival-winners-march-april-2021/
2. Film Screened: Chrysalis Competing Finalist for Best Animated Film (Main Category): BCIFF Award of Excellence https://www.bciff.org/bciff-festival-winners-march-april-2021/
3. Film Screened: Quantum Logos (vision serpent), Competing Finalist for Best Experimental Film (Main Category): BCIFF AWARD OF EXCELLENCE (Feb/March) https://www.bciff.org/winner-of-film-festival-february-march-2021/

  • 4th Dimension Independent Film Festival, Ubud, Bali, 25-28. 05.2021, Film Screened: Nocturne, Finalist for Best Experimental Film https://www.4thdimensionfilmfest.com/
  • Infinity Film Festival London, 5-13 May 2021, Film Screened: Nocturne, https://a2deefc0-85ad-4ec2-a170-2b1e57655a60.filesusr.com/ugd/92df6e_f04a52b03bd94de795d5df778685d496.pdf
    https://www.infinityfilmfest.com/
  • Golden Bridge Istanbul Short Film Festival, Kadıköy İstanbul, 9 May 2021, Film Screened: Chrysalis, https://www.goldenbridgeistanbul.com/RESULTS/
  • New York Istanbul Short Film Festival (NISFF), Film Screened: Quantum Logos (vision serpent), May 6 2021, http://www.newyorkistanbulshortfilmfestival.com/
  • 4th New Delhi Film Festival – NDFF, Animation Short, Total number of films: 174 from 41 Countries (Out of 837 films from 60 Countries) Film Screened: Quantum Logos (vision serpent), 26-28 03.2021 Organized by Jaipur International Film Festival http://jiffindia.org/delhi/
  • The Best of animation around the world from the WILDsound Festival and Latino Feedback Film Festival , Yonge-Dundas Square (YDS), Toronto, Film Screened: Quantum Logos (vision serpent), 21.03.2021
  • International Fine Arts Film Festival, Santa Barbara, CA, (US), 15.03.2021 Official Selection Experimental 2021, Film Screened: Quantum Logos (vision serpent). https://internationalfineartsfilmfestival.com/experimental-5th-season
    https://internationalfineartsfilmfestival.com/experimental-1
  • Latino FEEDBACK Film Festival Los Angeles, November selected, 19.11.2020 Film Screened: Quantum Logos (vision serpent) Virtual 1 January 2021 Audience feedback: https://vimeo.com/519818900
    https://latinofeedbackfilmfestival.com/2021/02/09/short-film-quantum-logos-vision-serpent-11min-usa-animation/
  • Retrospective of Best of Show films Stereoscopic Displays and Applications (SD&A) 3D Theater session, 18.01.2021, invited, Film Screened: Chrysalis http://www.stereoscopic.org/3dcinema/index.html
  • Imagine Science Films & Labocine.com , December Issue (#53) “Science for Nanos” 06.12 2020–3.01.2021, invited, Film Screened: Quantum Logos (vision serpent) https://www.labocine.com/issues/science-for-nanos
  • 6th Official Latino Film and Arts Festival, Palm Desert, CA, (US) 27-30.10.2020. Official Selection: Experimental or Animation, Film Screened: Quantum Logos (vision serpent). http://officiallatino.com/
  • Bright Festival Connect Kunstkraftwerk Leipzig, Germany, 25.10.2020, Film Screened: Before Us Lies Eternerdy https://connect.brightfestival.com/
  • Flixze Film Festival, Panama City Beach, Florida, Florida, 20.10.2020, Film Screened: Quantum Logos (vision serpent), Finalist – Animation
  • The 13th Annual Mosaic World Film Festival, Nordlof Center Rockford, IL. (US) 18.09.2020, Film Screened: Quantum Logos (vision serpent), virtual event due to COVID 100 filmmakers from over 50 countries http://mosaicfilmfest.com/index.php/2020-mwff-experimental-film-showcase/
  • Monthly Indie Shorts. Online Film Festival, (US) August 2020 Official selections, virtual due to COVID, Film Screened: Quantum Logos (vision serpent) http://monthlyindieshorts.com/official-selection-august-2020/
  • Los Angeles Motion Picture Festival, Malibu, CA, (USA) , virtual event due to COVID,31.08.2020, Award Winner Best Animation Quantum Logos (vision serpent). 2020 Third Quarter, A division of West Coast International Link Laurel https://www.malibuinternational.org/accolades running since 2010
  • CURRENTS 2020 – Currents New Media, Santa Fe, (USA), 21 – 30.08.2020, Film Screened: Chrysalis, virtual event due to COVID https://currentsnewmedia.org/festivals/currents-new-media-2020/
  • Synergy Film Festival, New York, (USA), Best Experimental Film, 20 August 2020, Film Screened: Quantum Logos (vision serpent) https://www.synergymotion.com/2020-winners-and-selections
  • New York Animation Film Awards Festival (NAAFA) 2020, NY (USA), virtual event COVID 3.08.2020, -NYAFA is a film festival established and managed by the film industry professionals of Cinematography Awards Foundation – CAWARDS.ORG. http://cawards.org/Semifinalist for Best Original Score in Animation, Film Screened: Quantum Logos (vision serpent) http://nyafa.com/
  • 6th Annual Raw Science Film Festival 2020, Los Angeles, CA, (USA) August 2020 (postponed to due to Covid 5-10. February 2021) Industry Award Winner Best Visual Effects (Head Jury) Lynda Obst) Film Screened: Quantum Logos (vision serpent). https://www.rawsciencefilmfestival.com/2020-films
  • International Beyond Film Festival Special Edition Climate Change, Special Screening at the Artist for Future, German Premier, Z.K.M. | Center for Art and Media, Karlsruhe, Germany, 25 July 2020, Film Screened: Quantum Logos (vision serpent) https://www.beyond-festival.com/en/art/artists/ina-conradi-mark-chavez/.
  • The Flight Deck Film Festival. New York City, (US), 25.06.2020, virtual event due to COVID, Film Screened: Quantum Logos (vision serpent) https://flightdeckfilm.wixsite.com/mysite.
  • Urban Screen Productions (U.T.V.) curated program Mt Pleasant Arts Screen – Vancouver, Canada, 1.03. – 31.08.2020, Tier 1 Film Screened: Emote series http://www.urbanscreens.tv/
  • Best of Video Art, Urban Screen Productions (U.T.V.) Curated program. Bunjil Place – Melbourne, Australia 01.01. – 31.08.2020 Tier 1 Film Screened: Quantonium and The Rose http://www.urbanscreens.tv/
  • Artist Showcase Series, Urban Screen Productions (U.T.V.) Curated programme, Macquarie Mall Urban Screen – Sydney, Australia -Tier 1 Film Screened: Quantonium and The Rose
  • Artist Showcase Series, Urban Screen Productions (U.T.V.) Bunjil Bunjil Place – Melbourne, Australia. 1.12.2019 – 31.05.2020, http://www.urbanscreens.tv/ Tier 1 Film Screened: Emote Series
  • Artist Showcase Series, Urban Screen Productions (U.T.V.) curated program. Macquarie Mall Urban Screen – Sydney, 1.12.2019 – 31.05.2020, Emote Series
  • Artist Showcase Series, Urban Screen Productions (U.T.V.) curated program Beenleigh Town Square – Brisbane, Australia, 1.12.2019 – 31.05.2020 http://www.urbanscreens.tv/ Emote Series
  • 10th Anniversary Party for Intendence Film Festival. Denver Open Media15.06.2019, Denver, Colorado, Elysian Fields
  • The 5th Annual Raw Science Film Festival (RSFF2019), the United Artists Theater DTLA, Los Angeles CA, 26.01.2019.
  • Sonic Visual Aesthetics Composition Project after Emotion Study (dir. Conradi) by Tse, Nok Kiu Composition Master Student with Dr Drew Schnurr, Department of Media, College of Liberal Arts & the Social Sciences University of North Texas, The Merrill Ellis Intermedia Theater, 6.12.2018
  • CutOut Film Festival Official Selection Experimental 01 Col. Centro Históricon, Querétaro, Mexico 1-4.11.2018.
  • Federation Square Rose and Quantonium collaboration with Media Art Nexus and Urbanscreens.tv , 8K projection Federation Square, Melbourne Australia, Curators Glen Harding and Emma Sherman, 15 August 2018
  • California Women’s Film Festival (Awarded Best Experimental Film Chrysalis), Acme Comedy Theater, North Hollywood, California 13-14 .07.2018.
  • The JellyFEST film Festival, Sunspace, Shadow Hills, Los Angeles, Screening Chrysalis 10.06.2018. Link to the festival trailer ( 00:50 sec in)
  • Texas Int’l Short Film Festival, TXINFF 2018 Wichita Falls, TX. 07.06.2018.
  • 27th Arizona International Film Festival AzFilmFest, 18-29.04.2018 Tucson, Arizona Chrysalis | Jury Awards for Creative Achievement.
  • 9th Annual Lumiere Awards Celebration- the Steven J Ross Theater, Warner Bros Studios.12.02.2018.
  • The 3rd ANIMATION Festival, part of FEEDBACK Animation Film & Screenplay Festival, Carlton Cinemas, Toronto, Canada 28. 12.2017 Chrysalis
  • Stereopsia, The 9th World Immersion Forum, Science |Technology| Commerce | Business (3D /VR/ AR / MR/ XR) Awards Competition Screening, Centre for Fine Arts (BOZAR) of Brussels, Belgium, organized by The University of Liège, The Hollywood-based Advanced Imaging Society & V.R. Society and their EMEA Chapter 11-13. 12 2017.
  • The 68th Montecatini International Short Film Festival, MISFF, Official Selection organized by Federazione Italiana dei Cineclub (FEDIC) 20-16.10.2017.
  • Ars Electronica Animation Festival 2017 Late Night Moviemento Sommerkino | OK Link to catalogue 7-11.09.2017 Chrysalis
  • The 2017 3D Moving Images Festival ,organized by Kunstenlab | PKN-Deventer| Lebuinuskerk | Centre of Arts and Media (ZKM) in Karlsruhe, Grote or Lebuïnus Church, Grote Deventerv, Nederland (Invited Elysian Fields) 4-24 09.2017
  • 13th Annual HollyShorts Film Festival, (Oscar Qualifying Festival) SciFi/Fantasy Category TCL Chinese Theater, Hollywood Programme Chrysalis 14.8.2017.
  • 8th Annual New Media Festival, The Landmark, Los Angeles, 6-8.06. 2017. Chrysalis S3D
  • The 14th Integrated Systems Europe (I.S.E.) 2017 Conference, R.A.I. Amsterdam Exhibition Centre, Amsterdam, NL, Quantonium, The Rose 7-10.02. 2017
  • 3D Theater Session, 28th annual Stereoscopic Displays and Applications (SD&A) Conference, Hyatt Regency San Francisco Airport, Burlingame, California, (US) 30.01 2017. The producers of the 3D Theater session are Andrew Woods (Curtin University), Chris Ward (Lightspeed Design), and John Stern (Intuitive Surgical). Chrysalis S3D Awarded Best of Animation 30 January – 1 February 2017, Link to Press
  • The Best of Beyond-3D Film festival, Schauburg Theatre, Karlsruhe Germany 14-18.10.2015
  • 11th Annual Topanga Film Festival (TFF’15), Topanga Film Institute and Royer Studios, Founders: Urs Baur& Sara Baur-Harding, 30.07-02.08.2015
  • Currents New Media 2015 The 6th Santa Fe International New Media Festival, El Museo Cultural and in the Santa Fe Railyard Plaza, 12-28.06.2015
  • Around the World: Women 3D Directors Paramount Studios, Sherry Lansing Theatre, Hollywood California Advanced Imaging Society& Women In Film International Committee at Paramount Pictures Studios, 13.05.2015.
  • The 3D Theatre Session, 2015 Stereoscopic displays and Application Conference (SD&A 3D Theatre), IS&T/SPIE’s Annual Symposium: Electronic Imaging, Science and Technology, San Francisco, California, 9.02.2015
  • One Screen Film Festival, The One Club New York, NY (US),08.01.2015
  • 3D Stereo Media, 6thThe International 3D Summit for Science, Technology, Art, and Business, The International 3D festival (I3DF), Liège, Belgium, 9-11.12.2014.
  • The 16th edition of the 24FPS International Short Film Festival, The Landmark Paramount Theatre, Abilene, Texas, 7-8. 11.2014.
  • Permanent screening till present The Mubi Film Forum MUBI online cinema, 2014
  • ShortsHD Online Broadcasting/Electronic Program Guide (EPG), 5.11.2014.
  • Xi’an Silk Road International Film Festival, 19-25.10.2014.
  • 3D-Symposium Beyond Festival Screening Karlsruhe Center for Art and Media Karlsruhe (Z.K.M.) Germany, 9-12.10.2014.
  • Best of the Fest Screening National Stereoscopic Association’s 40th annual convention 3D-CON, in Murfreesboro, Tennessee, USAInvited9-14.07.2014.
  • American Online film Awards, Spring Showcase Selection, The Best in Film and Video, New York, (US) (Invited)01.05.2014.
  • Beverly Hills Film Festival, The Chinese Theatre, Hollywood, (US) 23-27.04.2014.
  • Washington DC Independent Film Festival DCIFF, USA19-23.02.2014.
  • *SPARK [FWD] 3D, VFX & Advanced Imaging Conference and Festival. Festival’s 3D Stereo Short Programme FILM -Depth Perception: Short Stories in 3D, Vancouver International Film Centre, Vancouver, British Columbia (B.C.) Canada, 5-9.02.2014
  • *The 27th Southeast Asian Games (SEAG) Closing ceremony, Singapore Segment, Naypyidaw, Myanmar, 22.12.2013.
  • Creative Arts Film Festival 2013 Edition (CAFF), (US) an Annual International Online Short Film festival, 1.-31.12.2013.
  • Little Shop of Social Horrors Shortz Video/Film Festival 2013, The Multimedia Center Academy of Arts Novi Sad, Serbia, Europe, 13-15.12.2013.
  • Best of The Fest The Intendence Film Festival, Casselman’s Venue, Denver Colorado, (US), 1.12.2013.
    10th Annual LA 3-D Movie Festival, Films Featuring Stereography by Women, Los Angeles 3-D Club (SCSC), Downtown Independent Theatre Los Angeles, 13-15.12.2013.
  • Animated Short Film Reviewing Committee Private Screening for The Oscar 86th Academy Awards, TCL Chinese Theatre Hollywood, (Grauman’s Chinese), Hollywood, 19.10.2013
  • 3D Festival Beyond, Center for Art and Media Karlsruhe, (Z.K.M.) Germany Award: Best Short 3D Festival Beyond, 3-6.10.2013.
  • *ShortHD at the Movies Shorts H.D.’s Academy qualifying release, Mann’s Chinese Theatres, Hollywood, (US), (Invited) 24, 25, & 26 09.2013
  • Big Bear Lake International Film Festival, Big Bear Lake, California, 20-22 2013
  • *3D Film Festival 2013, 6th Annual, Regal Cinemas LA LIVE, Los Angeles, 19-21.09.2013
  • 2nd International Film Festival Phenom, Shreveport, Bossier City Louisiana, (US), 19-22.09.2013.
  • *The Oregon Independent Film Festival, Portland & Eugene, Oregon, (US), 18-23.09.2013
  • *Ars Electronica Festival 2013 “Total Recall, Evolution of Memory”, Deep Space Live, Linz, Austria, Europe, 5-9.09.2013
  • International Film Awards Berlin, (ifab) Sputnik Movie Theatre Berlin, Germany, Europe, 21-25.08.2013.
  • *9th Annual HollyShorts Film Festival, TCL Chinese Theatres Hollywood, Los Angeles (US) Award: 3D Short Runner Up, 15-25.08.2013.
  • *2013CGIFF/Columbia Gorge International Film Festival Washougal, Washington, (US) Award: Best International Shorts, 14-18.08.2013.
  • *The 21st International ANIMA MUNDI 2013Rio de Janeiro and from 14-18.08.2013 Sao Paulo, Brazil 2-11.08.2013.
  • *The 16th annual Maine International Film Festival 2013 (MIFF) Waterville, Maine, New England, (US), 12-21.07.2013.
  • Intendence Film Festival, Colorado, (US) Award: Best Animation, 26- 30.06.2013.
  • *67th Edinburgh International Film, Scotland UK; Europe, 19-30.06.2013.
  • *The 4th Annual New Media Film Festival Venue: The Landmark Theatres, Los Angeles, California, (US) Award 3D innovation, 11-12.06.2013.
  • 5th season 2013, The Los Angeles Art-House Film Festival, Venue The Actors Company, West Hollywood, Los Angels (US), Award: 1st Place Animation, 27.04.2013.
  • *22nd Arizona International Film Festival (AzFilmFest), Tucson, (US), 12-28.04.2013.
  • Best Shorts Competition, La Jolla, California, (US) Award: Award of Merit: Animation
  • *Canada International Film Festival, Vancouver, British Columbia, Canada. Award: The 2013 Rising Star Award/Animation, 5-6.04.2013.
  • *ANIMATION CROSSING @ Filmgarde Cineplex – BUGIS+, Singapore (Private Stereo Screening), 24. 01.2013.
  • PARALLAX Short Film Competition Stereoscopic Video Art Festival, Prague, Poland, Europe, 30.11-2.12.2012.
  • International Visual Music, Performance & Screenings, supported by CAAD Centre for Asian Art & Design, School of Art, Design and Media, A.D.M. Auditorium, Nanyang Technological University, Singapore, 12.10.2012.
  • International Market: 3D WIRE 2012 Animation, Video Games and New MediaInternational Market”, Palacio Quintanar, Segovia, Spain, Europe, 10-14.10.2012.
  • 20th International Animation festival of Brazil, Anima Mundi Festival 2012, Rio De Janeiro 13 July 22, São Paulo 25- 29 July, Brazil, 13-22.07.2012.
  • Brooklyn Film Festival, Brooklyn, New York, (US), 1-10.06.2012.
  • Perspectives in Animation, Hong Kong (Lee Wai Lee) Department of Multimedia and Internet Technology (M.I.T.) Supported by PCCW, PCCW Solution, ACM SIGGRAPH Hong Kong Professional Chapter (Invited), 30.03.2012.
  • Demo Exhibit and Screening Le PhénomèneAtmosphérique in the I.M.I. Immersive Room, on occasion of NTU College of Engineering Workshop on 3D Interactive Digital Media, (3D I.D.M.) Nanyang Technological University, Singapore, 12-13.03.2012.
  • Singapore HCI Society Seminar, Demo exhibit in the I.M.I. Immersive Room, The Institute for Media Innovation Nanyang Technological University, Singapore, 30.11.2011.
  • New Media Village@IMI, Official Opening of the Immersive Room, The Institute for Media Innovation, Nanyang Technological University, Singapore, 11-14.10.2011.
  • Ars Electronica Festival 2011, “Origin- how it all begins” Festival for Art, Technology and Society, Deep Space Live, Linz, Austria, Europe 31.08-6.09.2011
  • Permanent Screening Event Title: Shiny Art permanent works of global contemporary video art, 03.2011.
  • Attakkalari India Biennial 2011, International Contemporary Dance and Digital Arts Festival, Screening Event Title: Inaugural Corporeal Kaleidoscope, National Gallery of Modern Art, Bangalore, India, 28.01.-6.02.2011.
  • Dimension 3 International S-3D and New images forum, Dimension 3 Festival, Seine-Saint-Deniss, France, 3.06.2010.
  • Digital Fringe-The Age Melbourne Fringe Festival, Film Victoria, Creative Commons, Over Cast & Horse Bazaar, Melbourne, Australia24.09-12.10.2009.
  • Computer Graphic Animation Competition: 10th Anniversary Digicon 6 Singapore, Media Development Authority Singapore, Genexis Theatre, Fusionopolis. Award: Prize of Effort for the Singapore Regional 24.10.2008.
  • IMI/ADM Demo-Graphics, ISEA Conference 2008 /IMI NTU, Nanyang Technological University, School of Art Design and Media, Singapore 27.07.2008.
  • Festival Title: The 4th Xposition ‘O’ Contemporary Dance Fiesta 2007, 4th Biennial Event; Art Performance Titled: Boundaries,@ Gallery Theatre National Museum of Singapore, Singapore15-23.08.2007.

Exhibitions | Group and Solo*

  • Enchantment @55, Artlife&Co 1215 May 2022, group show Parpia House 55 Genting Lane Singapore https://www.artlifeandco.com/
  • Fission, The Global Wave of Digital Art, Guizhou Provincial Museum. Guanshanhu District, Guiyang, Guizhou), 30 April – 31 Aug 2022, Co-organizers: Contemporary Visual Arts Center of Guizhou Normal University, Fiber Space (Guiyang), Up Space (Guiyang)
  • Nocturne, Deep Space 8k Ars Electronica Festival – A New Digital Age, 11/12 September 2021 https://ars.electronica.art/newdigitaldeal/en/nocturne/ | https://youtu.be/lAXpEwKN9G4 https://ars.electronica.art/aeblog/en/2021/09/01/nocturne
  • Ars Electronica Festival 2019 Out of the Box. Deep Space 8K, Ars Electronica Center, Linz, Austria. 8 09.2019, from https://ars.electronica.art/outofthebox/en/quantum/. Quantum Logos (vision serpent)
    8th Annual Faculty Submitted Student Work Exhibit SIGGRAPH 2019 Conference, ACM SIGGRAPH, Los Angeles Convention Centre, 28.07-1.08.2019. ELMAN University Project 2018, Web Site Tier 1
    Los Angeles Center for Digital Art Video Artists, Los Angeles Center for Digital Art,13-15.06.2019, Rose, Web Site Tier 1
  • Visualisation Matters 2019, in conjunction with the Collaborative Conference on Computational and Data Intensive Science (C3DIS 2019 Conference), The National Convention Centre, Canberra, Australia, 6.05.2019, Crepuscular Rays of the Moon Web Site
  • Performance Applied Microperformativity – Hox Zodiac Vienna Hosted by HOX Zodiac and Angewandte Innovation Lab, 13.12.2018, The Twelve States of the HOX Zodiac screened as the part of the performance
  • Launch of NTU Campus Art Trail, Demo Screening for NTU President Subra Suresh NTU Singapore, North Spine Plaza NTU, 18.10.2018
  • NTU Alumni Homecoming and Learning Technologies Festival, The Wave NTU, organized by NTU Centre for Professional and Continuing Education (PaCE@NTU) 13.10.2018 Promotional video of Before Lies EterNerdy
  • Sapiens, Art Exhibition The BEYOND Festival 2018 – Virtual Reality, Artificial Intelligence and Post-Capitalism, The exhibition curated by Prof. Joao Tabarra, Z.K.M. Zentrum für Kunst und Medien Karlsruhe Germany 3-7.10.2018
  • Ars Electronica Festival 2018, Fraunhofer MEVIS: Institute for Digital Medicine (D.E.) + Media Art Nexus NTU Singapore (S.G.), Deep Space 8K 8 – 9.9.2018, Web Site Tier 1 BEFORE US LIES EterNERDy
  • Solo Exhibition* title The Double-Slit Experiment by Mark Chavez and Ina Conradi, UCLA Art | Sci Center Gallery, UCLA California NanoSystems Institute (CNSI), Los Angeles 19.07.2018, Compilation of experimental animation
  • Exhibition title: HOX ZODIAC, by Victoria Vesna + Siddharth Ramakrishnan + Marisa Caichiolo. venue Building Bridges Art Exchange, Bergamot Station Art Center, Santa Monica, California, 26.05 – 09.07.2018 (group show). 12 States of the Hox Zodiac by Mark Chavez, Ina Conradi, Music by Tate Chavez
  • Launch of Federation Square Large Scale L.E.D. screen, Collaboration Urbanscreens.tv and Media Art Nexus NTU Singapore, Federation Square Melbourne, Australia 31. 08. 2018
  • Visualisation Matters 2017 – Art + Science+ Design + Engineering Art Exhibition ON|OFF 100101010 Sydney, Colliding and Surrendering Art Meets Tech, Co-organized by the Expanded Perception and Interaction Centre UNSW, (EPICentre) and Data61, UNSW Art & Design, Paddington (Sydney) 21 – 22.11.2017. The Rose (W7680 px by H2160 px)
  • An International Symposium and Exhibition: on|off 100101010 | Colliding and Surrendering: chaos and freedom where art and technologies meet, | venue Media Art Nexus Nanyang Technological University Singapore (NTU), organized by NTU Centre for Liberal Arts and Social Sciences (CLASS), School of Art, Design and Media (A.D.M.), College of Humanities, Arts and Social Science, and NTU Art & Heritage Museum. (Link) : The Rose, Screen 1 (19.2m by 12m) W1792 pixels by H1152 pixels, Screen 2 (15m by 2m) W 3680 px by H 480px
  • Singapore: Inside Out Tokyo (S.G.: I.O. Tokyo), Organized by Singapore Tourism Board (S.T.B.) curated by Clara Yee, Gallery Omotesando, Tokyo, Japan, 25-27.08.2017. Tier. Link The Crepuscular rays of the Moon, real-time audio reactive installation, three-channel projection 18m by 2.8m.
  • Web3D Art Gallery: on | off 100101010. Colliding and Surrendering: chaos and freedom where art and technologies meet , The CUBE Queensland University of Technology, Brisbane organized by 22nd International Conference, W.E.B. 3D, and Web3D consortium, A.C.M. Siggraph, W3C Australia 5-7.06.2017, Link The Rose 5470 px x 1163 px
  • Emote experimental interactive animation in collaboration with School of Computer Science and Engineering, Media Art Nexus (M.A.N.), L.E.D. 15m x 2m, Singapore, 01-31.03.2017.
    Media Wall Nexus, Deep Space 8K, Ars Electronica Festival 2016, “RADICAL ATOMS and the alchemists of our time”, Linz, Austria, 8-12.09.2016
  • Experimental Animation on Media Art Nexus (M.A.N.), L.E.D. 15m x 2m, Media Art Nexus (M.A.N.) NTU Singapore, 1.07 –17.11.2016, 50:00 min, audio-video installation, consisting of series of 5 experimental animations, The Rose, I wish, Quantonium, NTU Beat, Sphere’s Visions, real-time/generative animation
  • Part 1 2015 A.D.M. Faculty Show Beyond Horizon, More than 90 works by 57 faculty professors, Group exhibition-local, School of Art Design and Media, Nanyang Technological University, Singapore 6.02-14.03.2015.
  • Sense & Sensuality: The Art and Aesthetics of Wearable Technology A.D.M. Gallery, NTU, Singapore, Group exhibition-local, 24.10-8.11.2014.
  • Eyes to Think, Contemporary Fine Art Exhibition, Curated by NAFA Raymond Yap and Lawrance Liu, Artists: Ernest Chan, Ina Conradi Chavez, Lau Eng Seng, Leroy Sofyan, Mark Joyce, Muang Nyan Soe, Raymond Yap, Terry Wee, Yong Kah Kin, Zulkhairi Zulkiflee, Sangkring, Art Space Yogyakarta, Indonesia, 13-27.09.2014.
  • Sunday Showcase ArtScience Galleries, ArtScience Museum, Marina Bay Sands, Singapore Group exhibition local, 1.12.2013.
  • *The SIGGRAPH Asia 2013 Hong Kong Art Gallery: Future/Past, The 6TH A.C.M. Siggraph Conference and Exhibition on Computer Graphics and Interactive Techniques in Asia, The Hong Kong Convention and Exhibition Centre (HKCEC), 20.11-22.11.2013
  • *Some things that matter, by Esplanade Presents Program, Jendela Visual Arts Space, Esplanade Theatres on the Bay, Singapore Group, Local, 19.07-18.08.2013.
  • Mise-en-scene solo Elysian Fields By Ina Conradi Chavez The Substation Gallery, Singapore Local (solo), 28.03-07.04.2013.
  • *Z: A Global Glimpse of 3D Stereo Works by Contemporary Artists, Curator Paul Young Director Young Projects Gallery @ the Pacific Design Center Los Angeles, (US), Int’l.Group, Invite,19.03.-3.05.2013.
  • Digital Gallery D-ART 2011, iV2011 London 15th International Conference Information Visualization, London, UK Int’l. Juried Group, 12,13-15.07.2011
    *CGIV2011 Singapore Digital Art Gallery, 8th International Conference, on Computer Graphics, Imaging and Visualization Singapore, Singapore, Int’l.Juried Group, 16,17-19.08 2011.
  • Port Of Call Selected Works By Faculty from Nanyang Technological University, ADMNanyang Technological University, Singapore Local Group, 22.2-15.04.2011.
  • The International Academic Advisory Panel (IAAP)’ 8th Meeting Visit, ADM NTU Singapore Local Group, 11.11.2010.
  • *A Solo Exhibition by Ina Conradi, Kyoto Venue: GalleryGallery International Contemporary Textile Art Centre, GGEX, Kotobuki Bldg, Kyoto, Japan, 18.07-1.08.2009
  • *Exhibit Snap to Grid 09, Los Angeles Centre for Digital Art, Los Angeles, (US) Int’l. Juried Group 12.11-5.12.2009.
  • Internal External, A solo exhibition by Ina Conradi, Post-Museum, Singapore Local Solo13.02-3.03.2009.
  • Pameran Poskad’08, House at Dempsey Road, Singapore Local JuriedGroup06.11-20.12.2008
    *PIXELPOPS! 2008, Wide Open, the Krannert Art Museum University of Illinois at Urbana-Champaign, University of Illinois, Illinois, (US) Int’l. Juried, Group 4.11.2008-4.01.09
  • Snap to Grid 08, Los Angeles Centre For Digital Art, Los Angeles, CA, (US) Int’l. Juried, Group 9.10-1.11.2008.
  • *D-ART 2008, Digital Art Gallery, 12th International Conference Information Visualization iV 08, South Bank University London, England Int’l. Juried Group, 8-11.07.2008
  • 12th Annual Discovery Tour Celebrating a Dozen Years of Art, The Arroyo Arts Collective, Los Angeles, (US), Int’l Group, 21.11.2004.
  • *Byte-Sized, Digital Miniatures, Viento y Aqua Gallery, Long Beach, CA, (US), Supported by the Public Corporation for the Arts, The City of Long Beach, Los Angeles A.C.M. SIGGRAPH-Art Int’l Group, 8.08-04.09. 2004.
  • Faculty Biennial, University Art Museum California State University Long Beach, Long Beach, California, (US) Int’l Group, 19.11-15.12.2002.
  • *Permanent Exhibit of City of Ljubljana, Municipal Gallery [Stalna Likovna Razstava Mesta Ljubljane, Mestna Galerija] Ljubljana, Slovenia, Europe Local Group, 1.04.1996
    Japanese Myths, Smelt Gallery, [JaponskiMiti, Galerija Smelt] Ljubljana, Slovenia, Europe Solo local, 13.03-13.04.1995.
  • Japanese Myths, Art Gallery Maribor – Exhibition Hall Rotovz [Japonski Miti, Razstavni Salon Rotovz Maribor]Slovenia, Europe Solo local, 2-28.02.1995.
  • Painting and Tapestry by Ina Conradi, Kompas Gallery [Japonske Ljubezni, Slike in Tapiserije,Galerija Kompas], Ljubljana, Slovenia, Europe Solo local, 16.02-12.03.1994
  • DOS Designers Society of Slovenia, International Centre of Graphic Arts Mansion Tivoli, [Drustvo Oblikovalcev Slovenije, Mednarodni Graficni Likovni Centre Grad Tivoli], Ljubljana, Slovenia, Europe Group Local, 1.12.1994.
  • DOS Designers Society of Slovenia, Members Annual Exhibit , Jakopic Gallery, [Letna Razstava Drustva Oblikovalcev Slovenije], Galerija Jakopic, Ljubljana, Slovenia, Europe Group Local, 11.12.1993.
  • *International Textile Art, Suminoe Interior Plaza, Osaka, Japan, Solo Int’l. 10.10-23.10.1992.
  • *Ina E. Conradi /Tapestry, Sembikiya Gallery, Tokyo, Japan, Solo Int’l. 24.08-29.08.1992
  • *Ina Conradi- Installation GalleryGallery, Kyoto, Japan, Solo Int’l. 01.08-08.08.1992.
  • Art of Tapestry, Kompas Gallery [Umetnost Tapiserije, Galerija Kompas], Novo Mesto, Slovenia, Ljubljana, Europe, Solo local, 01.03.1991.
  • Overtures, The I.M.C. Gallery, Irvine, (US) Int’l Group, 27.12-28.12.1990.
  • *Open Studio Municipal Gallery Ljubljana [Odprti Atelje, Mestna Galerija Ljubljana], Ljubljana, Slovenia, Europe, Solo local, 21.12-3.12.1989
  • Ma&Mfa’s Thesis Exhibition 1989, UCLA Wight Art Gallery, the University of California, Los Angeles, (US) Solo Int’l. 13.06-2.07.1989.
  • Eine Ausstellung in der Galerie der Bayerischen Landesbank, [Slovenian Contemporary Art, Munchen], Munich, Germany, Int’l Group, 8.07-08.08.1988
  • ART/LA 87-The First International Contemporary Art Fair in Los Angeles, Equrna Gallery Yugoslavia, Convention Centre, Los Angeles, (US) Int’l Group, 11.1987.
  • Artist form Yugoslavia, Design Centre, Los Angeles Int’l Group, 26.06-24.07.1987.
    Ine Conradi, MomaVukovica: Priroda Covek Sredina, Ljubljanska Banka, Beograd, Group Local, 05.1986.
  • Yugoslav Art in Jordan, Amman Jordan
  • Textile Art, Equrna Gallery, Ljubljana Slovenia Group Local Group Local
  • Ina Conradi, Solo Exhibit, [Samostojna Razstava] Galerija EmonskaVrata, Ljubljana, Solo Local, 26.12.1985

Books / Self-published

  • Conradi, I., & Vasudevan, J. (2012). 3D Stereo Pictorial Spaces: Towards New Aesthetic in Contemporary Painting (1st ed., p. 180). Self-Published, ISBN: 978-981-07-2246-3, Ref No.H201205030018.

  • Conradi, I. (2010). Internal External (1st ed., p. 140). Self-published ISBN 978-981-08-5116-3.

Chapters in Book

  • 2022 “Doors to Hidden Worlds” Vienna Angewandte Innovation Lab (AIL) and University of Applied Arts Edition Angewandte, June 2022 submission of manuscript for book chapter
  • 2021 Conradi, I. (2021). Media Art Nexus at the Nanyang Technological University Singapore. In M. de Waal, K. Willis, ^N. Verhoeff, M. de Lange & A. Aurigi, “Towards Media Architecture: Educating the Next Generation of Urban Interaction Designers Around the World,” Media Architecture Biennial Educational Publication (1st ed., pp. 37-39). Media Architecture Biennale & Urban Interaction Design Learning Community at Amsterdam University of Applied Science. https://cdn.mab20.org/wp-content/uploads/sites/25/2021/06/Towards-Media-Architecture_publication_online.pdf.
  • 2019 Conradi, I., & Chavez, M. (2020). Bringing Art to Everyday: Media Art Nexus 2016-2018. In J. Hagler, M. Lankes & A. Wilhelm, Expanded Animation, The Anthology: Mapping An Unlimited Landscape (1st ed., pp. 126-137). Hatje Cantz VerlagGmbH. 8 October 2019.
  • 2011 Conradi, I. (2011). Digital Media and Quest for Spiritual in Art. In G. Mura, Metaplasticity in Virtual World: Aesthetics and Semantic Concepts (1st ed., pp. 223-235). I.G.I. Global. DOI: 10.4018/978-1-60960-077-8.ch013. 1st edition 30 November 2010. Retrieved from https://www.igi-global.com/chapter/digital-media-quest-spiritual-art/50387.

Article Catalogue

  • 31.01.2014 Ars Electronica Deep Space Ina Conradi Chavez Elysian Fields, page 276-279, “Total Recall, The Evolution of Memory, Ars Electronica 2013 Festival for Art, Technology and Society” Edited by Hannes Leopoldseder/ Gerfried Stocler/Christine Schopf Published by Hatje Cantz ISBN-10: 3775736301

Film Published online accompanied with the film and interview

  • Film ‘Elysian Fields’ – included into Online Animation Library (OAL), in the public library (Stadtbibliothek) in Stuttgart Filmuniversität Babelsberg Konrad Wolf (Film University Babelsberg Konrad Wolf) by Goethe-Institut (Goethe Institute), Hochschule der Medien Stuttgart (University of the Media))
  • UrbanscreensTV, Emote Series, Quantonium and Rose
  • 3D Vision Live, Nvidia 3D Channel and New Media Festival, Nvidia online platform for viewing 3D stereo – Chrysalis movie
  • Best of 3D – The Original-Vol .10-12 [3D Blu-ray], Publisher: 3D Content Hub, 26.09.2014
  • 3D Vision Live Nvidia online platform for viewing 3D stereo, Elysian Fields – How it was Made, Ina Conradi Chavez, 12.08.2013.

Journals

  • 2015 Chavez, I. (2015). War Poems: A Transgression of Objective and Linear Imagery towards the Avant-garde in Animation. TECHART: Journal Of Arts And Imaging Science, Vol.2(No.1), 14-22 (9 pages). DOI : 10.15323/techart.2015.02.2.1.14 , Date 2015 February
    https://doi.org/10.15323/techart.2015.02.2.1.14
    https://www.dbpia.co.kr/Journal/articleDetail?nodeId=NODE06206325
  • 2011 Conradi, I. (2011). Art at the edges of materiality. Journal On Multimodal User Interfaces, 5(1-2), 69-75 (2012). https://doi.org/10.1007/s12193-011-0074-4; Published 22. November 2011, Issue date March 2012

Conference Proceedings

  • Yixuan, L., ^Conradi, I., Bauer, T., & Kraemer, V. (2021). ELMAN Project 2020, Cross-Cultural Urban Media Exchange, Singapore – Germany. In Media Architecture Biennial 2021, The Demos & Posters Sessions ‘Mediated Encounters’ (p. 1). Amsterdam; Media Architecture Institute (https://demos.mediaarchitecture.org/mab/about/). 30 June 2021. (Conference days 28 June 2 July) Retrieved from https://demos.mediaarchitecture.org/mab/projects/
    https://demos.mediaarchitecture.org/mab/project/19
  • Von Jungenfeld, R., & Conradi, I. (2020). Waves: Crosscurrents of Art, Technology and Environments In: H. Griffin (ed.), AMPS Proceedings Series 20.2. Connections: Exploring Heritage, Architecture, Cities, Art, Media (pp. 13-24). Canterbury; University of Kent, UK. AMPS PROCEEDINGS SERIES 20.2 ISSN 2398-9467 Retrieved from https://architecturemps.com/proceedings/
    http://architecturemps.com/wp-content/uploads/2021/03/Amps-Proceedings-Series-20.2.pdf
  • Conradi, I., (2018) NTU Alumni Homecoming 2018 & Learning Technologies Festival, 13.10.2018 (Poster and video submission).
  • Conradi, I., & Chavez, M. (2017). Urban Gallery: Art of Animation and large-scale urban media environments. In Asia Animation Forum 2017, The Expansion of Senses (pp. 196-213). Bucheon; The Korean Society of Cartoon and Animation Studies.
  • Conradi, I. (2014). War Poems: A transgression of objective and linear imagery towards the avant-garde in animation. In ‘Ani-Asia: The Expanded Ecologies’, Ani-Techne +: Expanded Animation in Contemporary Media Culture (pp. 129-139). Bucheon; Animation Forum PISAF 2014 The 16th Puchon International Student Animation Festival.
  • Conradi, I., & Yew Yong Xiang, I. (2011). The Undiscovered Country: The Art of Pictorial 3-D Stereo Animation. In 2011 International Conference on Cyberworlds (pp. 181-188). Banff. Calgary, Alberta, Canada; IEEE Computer Society 2011, doi: 10.1109/CW.2011.24. Retrieved from https://ieeexplore.ieee.org/document/6079363.
  • Conradi, I. (2011). Stereo Animated Pictorial Space: Le Phénomène Atmosphérique. In 17th International Symposium on Electronic Art, ISEA 2011 (pp. 409-415). Istanbul; ISEA. Retrieved from https://isea-archives.siggraph.org/wp-content/uploads/2019/03/ISEA2011_Full_Proceedings.pdf.
  • Conradi, I., & Yoon, W. (2011). Visual Resonance: Fine Art and 3D Stereo Pictoriality. In 2011 Eight International Conference, on Computer Graphics, Imaging and Visualization (CGIV) (pp. 25-32). Singapore; IEEE Computer Society, DOI: 10.1109/CGIV.2011.30. Retrieved from https://ieeexplore.ieee.org/document/6054083/authors#authors.
  • Conradi, I. (2010). Digital Imaging in Singapore, Internal External. In The 16th International Symposium on Electronic Art, ISEA 2010 RUHR (pp. 259- 261). Berlin; ISEA 2010 RUHR Conference Proceedings ISBN 978-86895-103. Retrieved from https://revolver-publishing.com/isea-2010-ruhr-conference-proceedings.html.
  • Chavez, M., Conradi, I., & Liu, L. (2009). Cinematics and narratives: creating an archetypal character based experience. In ISEA2009, The 15th International Symposium on Electronic Art (pp. 1028-1046). Belfast, Northern Ireland; Published by ISEA International. Retrieved from http://www.isea-archives.org/docs/2009/proceedings/ISEA2009_Proceedings.pdf.
  • Conradi, I. (2009). Digital Imaging in Singapore: The Integration of digital imagery with traditional art media and techniques for site-specific architectural, urban and landscape settings of Singapore. In CGIV ’09: Proceedings of the 2009 Sixth International Conference on Computer Graphics, Imaging and Visualization (p.52-53 Poster). Tianjin, China; IEEE Computer Society.
  • Conradi, I. (2009). Internal/External Digital Art Visualization in Singapore. In 13th International Conference on Information Visualization iV09 (p. 23 Poster). Pompeu Fabra University Barcelona; IEEE Computer Society.

NTU URECA Paper 2nd Author

  • Lim, E., & Conradi Chavez, I. (2021). Understanding Quantum Physics Through Art. In Proceedings of the URECA@NTU 2019-2020 (pp. 2462-2468). Singapore; URECA@NTU. Retrieved 1 May2021, from https://ntu-sp.primo.exlibrisgroup.com/discovery/delivery/65NTU_INST:65NTU_INST/12320539810005146.
  •  Liu, Y., & Conradi Chavez, I. (2021). Poetics of Art in Urban Media Space. In Proceedings of the URECA@NTU 2019-20 (pp. 2469-2476). Singapore; Nanyang Technological University. Retrieved 2 May 2021, from https://ntu-sp.primo.exlibrisgroup.com/discovery/delivery/65NTU_INST:65NTU_INST/12320539810005146.
  • Tan, S., & Conradi-Chavez, I. (2017). Creating and Curating New Media Art in Public Space. In Proceedings of the URECA@NTU (pp. 2123 -2128). Singapore; URECA@NTU. from http://hdl.handle.net/10356/76901.
  • Low, J., & Conradi-Chavez, I. (2017). Creating and Curating New Media Art in Public Space. In Proceedings of the URECA@NTU (pp. 2119-2126). Singapore; URECA@NTU. from http://hdl.handle.net/10356/75785.
  • Proceedings of the URECA@NTU 2016-2017, Media Art Nexus: The Challenges of Co-Curating and Co-creating Urban Media Art, Ng Sharmayne Desiree Ko, Ina Conradi Chavez, 2148-2155
  • Proceedings of the URECA@NTU 2016-2017, Urban Media: New Art Trends, Directions and Technologies, Wong Song Yu, Ina Conradi Chavez, pages 2156-2163
  • Proceedings of the URECA@NTU 2016-2017, Immersive Audio/Video Emotion Study, Zhao Xiangling, Ina Conradi Chavez, pages 2164-2170
  •  Proceedings of the URECA@NTU 2015-16, What’s Under the Bed: A Visual Compendium of the Monsters of Lore and Mythical Creatures in Asian Folklore, Beverly Goh, Ina Conradi Chavez, pages 1930-1939 http://hdl.handle.net/10356/71927
  • Proceedings of the URECA@NTU 2015-16, The Case of Painting in our Digital World, Denise Nicole Yap Hui En, Ina Conradi Chavez, pages 1982-1989
  • Proceedings of the URECA@NTU 2015-16, Environmental Media Experience, Quinn Lum Fu Loong, Ina Conradi Chavez, pages 2032-2038
  • Proceedings of the URECA@NTU 2015-16, The Painting Factory, Woong Soak Teng Quinn Lum Fu Loong, Ina Conradi Chavez, pages 2069-2073
  • Proceedings of the URECA@NTU 2014-15, Exploration of Materiality in Furniture Design, Pek Shun Ping, Ina Conradi Chavez, pages 2987-2992
  • Proceedings of the URECA@NTU 2013-14. Road to Oscars: Independent Movie Marketing, Sharlene Lee Chet Ling, Ina Conradi Chavez, pages 1582-1587
  • Proceedings of the URECA@NTU 2013-14, Revolution in Art and Design Using 3D Printing, Pek Shun Ping, Ina Conradi Chavez, (Asst/P), pages 1566-1571
  • Proceedings of the URECA@NTU 2013-14, Art Publication Elysian Fields, Ng Cher Hiang, Ina Conradi Chavez, pages 1552-1557
  • Proceedings of the URECA@NTU 2013-14, Remediated Painting – Altering Urban Spaces, Fun Wei Kiat Derrick, Ina Conradi Chavez, pages 1524-1529
  • 8thProceedings of the URECA @ NTU 2012-13, Project ID ADM12031, Independent Movie Marketing, Chin Li Zhi, Ina Conradi Chavez, Pages 1752-1756, Reg. No. 20060 4393R
  • 8thProceedings of the URECA @NTU 2012-13, Project ID: ADM12010, 30X30 Visual Branding in Trash, Author FarhanaJa’afar, Ina Conradi Chavez, Yeo Puay Hwa Jesvin, pages 2534-2539, Reg. No. 20060 4393R
  • 8th Proceedings of the URECA @ NTU 2012-13, Project ID ADM12009 Shifting States, Yew Yon Xiang Ivan, Ina Conradi Chavez, pages 2540-2545, Reg. No. 20060 4393R
  • 7th Proceedings of the URECA @ NTU 2011-12, Project ID ADM11029 Uncontainable-Exploring Fluid and Dynamics Simulation for Creating New Media Digital Arts, Yew Yon Xiang Ivan, Ina Conradi Chavez, pages ADM 1647-1652 Reg. No. 20060 4393R
  • 6th Proceedings of URECA@NTU AY 2010/11, Project ID: ADM10029 Stereo Painting: Towards new aesthetics in painting today, Yew Yong Xiang Ivan, Ina Conradi Chavez, pages ADM 1819-1824, Reg No. 20060 4393R
  • 6th Proceedings of URECA@NTU AY 2010/11, Project ID: ADM10031, Space Constellations Part 1, Towards New pictorial space series, Zurianah Bte Hashim,Ina Conradi Chavez, pages ADM1825-1829, Reg No. 20060 4393
  • 6th Proceedings of URECA@NTU AY 2010/11, Project ID: ADM10057, Space Constellation Part 2. Digital Fabrication, Farhana Ja’afar, Ina Conradi Chavez, pages 1759-1764, Reg No. 20060 4393R
  • URECA 2010, 5thProceedings of URECA@NTU AY 2009/10, Project ID: ADM09036 AY 2009/10 Paper Title: Reassessment of Painting: Fine Art Painting and Experimental Computer Animation,1st author Khoo Yi Hui, 2nd Author Conradi, I (Asst Prof);5th Proceedings of the URECA@NTU 2009-2010, page 1484-1489, CD containing Research Papers Reg. No. 20060 4393
  • 5th Proceedings of URECA@NTU AY 2009/10, Project ID: ADM09037AY 2009/10 Poster Title: Digital Imaging: Anatomy of 3rd dimension, Tan Cheng Quan, Ina Conradi Chavez, A Selection of Winning Posters from the 2010 URECA Poster Exhibition and Competition, Category 1, Accountancy, Business, Communication, Humanities and Social Sciences, URECA 2010 Undergraduate Research Experience Yearbook 2010, page 31, Reg. No. 20060 4393R
  • 5th Proceedings of URECA@NTU AY 2009/10, Project ID: ADM09037 Digital Imaging: Anatomy of 3rd dimension, Tan Cheng Quan, Ina Conradi Chavez, page ADM 1526-1532. Reg. No. 20060 4393
  • 5th Proceedings of URECA@NTU AY 2009/10, Project ID: ADM09036 AY 2009/10 Reassessment of Painting: Fine Art Painting and Experimental Computer Animation, Khoo Yi Hui, Ina Conradi Chavez, page 1484-1489, the CD containing Research Papers Reg. No. 20060 4393R
  • URECA Project ID: ADM08005,AY 2008/09; Paper Title: Digital Imaging in Singapore, A Selection of URECA Research Papers, 1st author Tan Cheng Quan, 2nd Author Conradi, I (Asst Prof);page 66-69, Nanyang Technological University, Reg No. 20060 4393R
  • 4th Proceedings of the URECA@NTU 2008/09, URECA Project ID: ADM08005, AY 2008/09 Digital Imaging in Singapore, Tan Cheng Quan, Ina Conradi Chavez, pages 1330-1335, the CD containing Research Papers Reg No. 20060 4393R